Sociólogo - Escritor

El material de este blog es de libre acceso y reproducción. No está financiado por Nestlé ni por Monsanto. Desinformarnos no depende de ellas ni de otras como ellas, pero si de ti. Apoya al periodismo independiente. Es tuyo.

"La Casa de la Magdalena" (1977), "Essays of Resistance" (1991), "El destino de Norte América", de José Carlos Mariátegui. En narrativa ha escrito la novela "Secreto de desamor", Rentería Editores, Lima 2007, "Mufida, La angolesa", Altazor Editores, Lima, 2011; "Mujeres malas Mujeres buenas", (2013) vicio perfecto vicio perpetuo, poesía. Algunos ensayos, notas periodísticas y cuentos del autor aparecen en diversos medios virtuales.
Jorge Aliaga es peruano-escocés y vive entre el Perú y Escocia.
email address:
jorgealiagacacho@hotmail.co.uk
https://en.m.wikipedia.org/wiki/Jorge_Aliaga_Cacho
http://www.jorgealiagacacho.com/

18 de marzo de 2022

Oliver Stone´s documental on Ukraine.

William Oliver Stone (born September 15, 1946) is an American film director, producer, and screenwriter. Stone won an Academy Award for Best Adapted Screenplay as a writer of Midnight Express (1978) and wrote the gangster film remake Scarface (1983). Stone achieved prominence as writer and director of the war drama Platoon (1986), which won Academy Awards for Best Director and Best Picture. Platoon was the first in a trilogy of films based on the Vietnam War, in which Stone served as an infantry soldier. He continued the series with Born on the Fourth of July (1989)—for which Stone won his second Best Director Oscar—and Heaven & Earth (1993). Stone's other works include the Salvadoran Civil War-based drama Salvador (1986); the financial drama Wall Street (1987) and its sequel Wall Street: Money Never Sleeps (2010); the Jim Morrison biographical film The Doors (1991); the satirical black comedy crime film Natural Born Killers (1994); a trilogy of films based on the American Presidency: JFK (1991), Nixon (1995), and W. (2008); and Snowden (2016).

Many of Stone's films focus on controversial American political issues during the late 20th century, and as such were considered contentious at the time of their releases. They often combine different camera and film formats within a single scene, as demonstrated in JFK (1991), Natural Born Killers (1994), and Nixon (1995).[4]

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